Tag Archives: archives

Sound Maps in the 21st Century: Where Do We Go From Here?

Sound maps are boring. Why? I would argue it’s because they’ve become stuck in a rut that began when the idea of ‘sound map’ became synonymous with online, Google API-based or other forms of point-and-click, CD-ROM era interface design. If we want sound maps to become less boring, this needs to stop. But how do we as sound artists (or would-be ‘sound cartographers’) break free of the point-and-click model? Continue reading

Towards a Methodology for a Museological Approach to Sound Curation: Defining the Acoustic Object

In working towards the establishment of a sound museum, it becomes essential to define what such an institution must collect, as the collection of objects has historically been viewed as essential to the mission of museums (Wittlin 1949, Macdonald 2011). While this notion has been gradually evolving to embrace intangible culture (Conn 2009, Gurian 2006), and work is developing related to the curation of sound in a museum context (Lobley 2015), I feel it is useful in the long term to propose an object-based methodology for sound curation centring around what I refer to as the acoustic object.
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Towards a Poetics of Museum Sound

i. Collections

An urge,
an unheard whisper in the ear,
a yearning for that
complete set,
that rarity that only we –
the privileged, the possessors –
can call our own
and control who sees it or hears it.

ii. Objects

This multitude of things
material or intangible
mute or loquacious
produced by culture
assumed authentic
obtained through
– excavation
– plunder
– exchange
selected by a few
desired by many
seen or unseen
with aural auras
untouchable
yet somehow accessible
if deemed worthy.


iii. Galleries

The display of our wares
our triumphs
our tragedies
icons of history
or forgotten pasts
within discursive configurations
spaces resonating with
meaning
history
passion
mortality
time –
the nexus of echoes
past and present:
the active sounds of history.

iv. Memory

What is it about that
sound
that makes me think of childhood?
Why does this image
transport me back to that thing I read
back when I was a student?
Which story about
my family
deserves to be recorded?
When did they decide
these are the things
that we should remember?

v. Contemplation

This silence
that is not silent
these echoes
these objects
installed and instilled with
their own preciousness
encourage one’s mind to ponder
and wander
across time: backwards and forwards
waves of sound, waves of history
upon which our thoughts might float.

vi. Engagement

We visit these places
not just to learn,
but to teach
not just to see,
but to be seen
not just to listen,
but to be heard.


Licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Untitled 1

Without location, these fragmentary
patterns drift among disorder
in the spaces between echo and decay.
They do not withstand a second listen,
these collected memories of significant events unseen,
but they are no less powerful.

Signals and receptors, objects motionlessly spinning,
all
clinging to the revolving stillness of forever.
Another moment has passed. Your time
is not mine,
it is hours —

an aura
to archive,
and let history
forget.


Licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.